Fancy Club.
Fatty Foods.
Formal Music in the Background.
This is where business is done.
Or where we believe business is done.
Or perhaps where we pretend that something like business might be done on a good day with a favorable wind.
Three investors try to out bluff each other.
Bread Crumbs.
Paths we find for ourselves.
Paths we leave for others.
The lessons we learn along the way.
The gratitude we find with each step.
A monologue of an African American Family history by Geoffrey Grier of San Francisco Recovery Theatre in collaboration with AfroSolo.
A Studio Version of the live performance at Potrero Stage, San Francisco, CA September 27, 2022.
What holds friends together?
Common background?
Common history?
A common vision of what they are?
Three friends explore the different roles they have with each other. They are moving into adulthood. They are shaping their lives and their identities. They also suddenly realize how delicate their common bonds may be.
A New Audio Drama From Tehya Merrit.
We know the story.
Three women.
A London Office.
A missing colleague.
And a pandemic.
Three women wake one morning to discover that a colleague has vanished in the night. Gone. Poof. Not a bit of a trace.
The clue to the story lies in a play that has just opened in a London Theatre. The missing colleague has vanished into the world of that play and has become engaged in a grand debate about the roles of women in modern society.
But the three women in the office are not part of the debate. They are earning a living. They are caring for family. They trying to decide what they need to do today in order to be ready for tomorrow, while worrying about their friend.
A play about the world of George Bernard Shaw and Karl Pearson that takes no guff from either.
She could have been somebody.
A real contender.
If there hadn’t been a global economic depression.
If the world hadn’t been engaged in a world war.
And if she hadn’t been a woman.
Through Fate or Good Fortune or the simple dedication of someone who was not discouraged by rejection, she came to lead the Mathematical Tables Project, a quirky work-relief office that was intended to give employment to workers who were unable to find a job. She turned it into the world’s most power computing organization. At least the most powerful organization before computing people were replaced by computing machines.
She did calculations for the government, for the military, for scientists and engineers. They were championed by Einstein, by John von Neuman, professors from Cornell and MIT. She dined at the White House and sat at tables of power. Until she was forgotten. Forgotten by a country that is more constant in its love of technology than it is in its love of people.
A story of Gertrude Blanch, her best friend Ida Rhodes, and their improbably employer, the Mathematical Tables Project. A story of love, dedication, courage and (brace yourselves) long division.
Gold Medal Recipient at the 2023 Hear / Now Audio Drama Festival.
New Drama.
New Story.
And it’s about arithmetic.
And work relief. And Organizations. And Power. And National Security.
Plus it’s a Love Story.
A short preview of what is going to come.
Told as only the HWMS Audio Theatre can do it.
We’re Theatre Like You’ve Never Seen.
A suitcase on the sidewalk.
A weary traveller looking for an answer.
A stage manager, looking for dessert.
Introducing Kota Fudauchi to the audio drama Embisivle Friend.
A school.
A slightly unusual school. (Business curriculum. Silicon Valley.)
A principal, slightly stressed.
A teacher. (ditto)
Broken plumbing.
A friend with a yellow car.
A successful corporate leader offering advice to a young protégé while pulling the funds from another.
And a little girl shall lead them all.
Just another day for the audio drama Embisivle Friend.
An audio feature drawn from our story “Embisivle Friend”.
What’s to be done?
Waiting at an old train station.
Not for a train of course.
But will she come?
Does she ever come?
To New Jersey.
Deepest New Jersey.
A peek into the Audio Drama Embisivle Friend.