Rosy Fingered Dawn stretches her hand across the morning sky.
As least that is what one of Chorus believes.
(He’s kind of that way. The other is not so sure.)
A little snippet of a classic story in a modern setting about a timeless conflict.
“Life is a Dream (or at least a wee nap”)
New full-ength drama from HWMS Audio Theatre.
Rosy Fingered Dawn stretches her hand across the morning sky.
As least that is what one of Chorus believes.
(He’s kind of that way. The other is not so sure.)
A little snippet of a classic story in a modern setting about a timeless conflict.
“Life is a Dream (or at least a wee nap”)
New full-ength drama from HWMS Audio Theatre.
Cast, in order of appearance:
[22675.p2]
What is real?
When we’re awake? Or when we’re asleep.
A Dublin business has spent twenty years carefully crafting her company, her position, her identity.
No one questions her role.
She gets the business. She gets the revenue. She pays the salaries.
She is in control of all, until a memory from the past appears and starts to ask a few questions.
A new approach to a classic story.
What is real?
When we’re awake? Or when we’re asleep.
A Dublin business has spent twenty years carefully crafting her company, her position, her identity.
No one questions her role.
She gets the business. She gets the revenue. She pays the salaries.
She is in control of all, until a memory from the past appears and starts to ask a few questions.
A new approach to a classic story.
Written, produced, directed and scored by David Alan Grier
Additional music material by Alibi Music, Atomic Music, and Five Alarm Music.
Dramaturgy by Steve Harper of Theatre503.
[22675]
Dublin.
Rain.
Business.
Money.
Power.
Two lost souls wandering the streets and getting wet.
A first look at a new show on an old subject with a classic approach.
Dublin.
Rain.
Business.
Money.
Power.
Two lost souls wandering the streets and getting wet.
A first look at a new show on an old subject with a classic approach.
Fancy Club.
Fatty Foods.
Formal Music in the Background.
This is where business is done.
Or where we believe business is done.
Or perhaps where we pretend that something like business might be done on a good day with a favorable wind.
Three investors try to out bluff each other.
Fancy Club.
Fatty Foods.
Formal Music in the Background.
This is where business is done.
Or where we believe business is done.
Or perhaps where we pretend that something like business might be done on a good day with a favorable wind.
Three investors try to out bluff each other.
Written and Produced by David Alan Grier
Musical and Sound Design by Hilbert Space
Dramaturgy by Steve Harper of Theatre503
[23415]
Bread Crumbs.
Paths we find for ourselves.
Paths we leave for others.
The lessons we learn along the way.
The gratitude we find with each step.
A monologue of an African American Family history by Geoffrey Grier of San Francisco Recovery Theatre in collaboration with AfroSolo.
A Studio Version of the live performance at Potrero Stage, San Francisco, CA September 27, 2022.
Bread Crumbs.
Paths we find for ourselves.
Paths we leave for others.
The lessons we learn along the way.
The gratitude we find with each step.
A monologue of an African American Family history by Geoffrey Grier of San Francisco Recovery Theatre in collaboration with AfroSolo.
A Studio Version of the live performance at Potrero Stage, San Francisco, CA September 27, 2022.
Written by Geoffrey Grier
Produced by San Francisco Recovery Theatre in collaboration with AfroSolo with hosting and additional production by HWMS.
[23412]
[23412]
What holds friends together?
Common background?
Common history?
A common vision of what they are?
Three friends explore the different roles they have with each other. They are moving into adulthood. They are shaping their lives and their identities. They also suddenly realize how delicate their common bonds may be.
A New Audio Drama From Tehya Merrit.
What holds friends together?
Common background?
Common history?
A common vision of what they are?
Three friends explore the different roles they have with each other. They are moving into adulthood. They are shaping their lives and their identities. They also suddenly realize how delicate their common bonds may be.
A New Audio Drama From Tehya Merrit.
Written by Tehya Merrit
Music Direction: Mel O’Dea Studios
Music: Alibi Music, STKA, Atomic Music (used with permission)
Dramaturgy: Steve Harper, Theatre503
Graphic Artist: Ava N Garda
Produced and Directed: David Alan Grier
[23405]
We know the story.
Three women.
A London Office.
A missing colleague.
And a pandemic.
Three women wake one morning to discover that a colleague has vanished in the night. Gone. Poof. Not a bit of a trace.
The clue to the story lies in a play that has just opened in a London Theatre. The missing colleague has vanished into the world of that play and has become engaged in a grand debate about the roles of women in modern society.
But the three women in the office are not part of the debate. They are earning a living. They are caring for family. They trying to decide what they need to do today in order to be ready for tomorrow, while worrying about their friend.
A play about the world of George Bernard Shaw and Karl Pearson that takes no guff from either.
We know the story.
Three women.
A London Office.
A missing colleague.
And a pandemic.
Three women wake one morning to discover that a colleague has vanished in the night. Gone. Poof. Not a bit of a trace.
The clue to the story lies in a play that has just opened in a London Theatre. The missing colleague has vanished into the world of that play and has become engaged in a grand debate about the roles of women in modern society.
But the three women in the office are not part of the debate. They are earning a living. They are caring for family. They trying to decide what they need to do today in order to be ready for tomorrow, while worrying about their friend.
A play about the world of George Bernard Shaw and Karl Pearson that takes no guff from either.
Cast: (22470, in order of appearance)
Cast: (22471 in order of appearance)
Sound Design: Hilbert Space
Music Direction: Mel O’Dea Studios
Music: Alibi Music, Atomic Music (used with permission)
Dramaturgy: Steve Harper, Theatre503
Graphic Artist: Ava N Garda
Written and Directed: David Alan Grier
[22470]
She could have been somebody.
A real contender.
If there hadn’t been a global economic depression.
If the world hadn’t been engaged in a world war.
And if she hadn’t been a woman.
Through Fate or Good Fortune or the simple dedication of someone who was not discouraged by rejection, she came to lead the Mathematical Tables Project, a quirky work-relief office that was intended to give employment to workers who were unable to find a job. She turned it into the world’s most power computing organization. At least the most powerful organization before computing people were replaced by computing machines.
She did calculations for the government, for the military, for scientists and engineers. They were championed by Einstein, by John von Neuman, professors from Cornell and MIT. She dined at the White House and sat at tables of power. Until she was forgotten. Forgotten by a country that is more constant in its love of technology than it is in its love of people.
A story of Gertrude Blanch, her best friend Ida Rhodes, and their improbably employer, the Mathematical Tables Project. A story of love, dedication, courage and (brace yourselves) long division.
Gold Medal Recipient at the 2023 Hear / Now Audio Drama Festival.
She could have been somebody.
A real contender.
If there hadn’t been a global economic depression.
If the world hadn’t been engaged in a world war.
And if she hadn’t been a woman.
Through Fate or Good Fortune or the simple dedication of someone who was not discouraged by rejection, she came to lead the Mathematical Tables Project, a quirky work-relief office that was intended to give employment to workers who were unable to find a job. She turned it into the world’s most power computing organization. At least the most powerful organization before computing people were replaced by computing machines.
She did calculations for the government, for the military, for scientists and engineers. They were championed by Einstein, by John von Neuman, professors from Cornell and MIT. She dined at the White House and sat at tables of power. Until she was forgotten. Forgotten by a country that is more constant in its love of technology than it is in its love of people.
A story of Gertrude Blanch, her best friend Ida Rhodes, and their improbably employer, the Mathematical Tables Project. A story of love, dedication, courage and (brace yourselves) long division.
Gold Medal Recipient at the 2023 Hear / Now Audio Drama Festival.
Sound Design: Hilbert Space
Music Direction: Mel O’Dea Studios
Music: Alibi Music, Atomic Music (used with permission)
Dramaturgy: Steve Harper and the Writers Workshop at Theatre503
Graphic Artist: Ava N Garda
[21500]
New Drama.
New Story.
And it’s about arithmetic.
And work relief. And Organizations. And Power. And National Security.
Plus it’s a Love Story.
A short preview of what is going to come.
Told as only the HWMS Audio Theatre can do it.
We’re Theatre Like You’ve Never Seen.
New Drama.
New Story.
And it’s about arithmetic.
And work relief. And Organizations. And Power. And National Security.
Plus it’s a Love Story.
A short preview of what is going to come.
Told as only the HWMS Audio Theatre can do it.
We’re Theatre Like You’ve Never Seen.
[21601]