A preliminary visit. A warning shot at an awkward time. A suggestion that the local population might not as welcoming as they might appear. An angry research director, who had to drag a research team to the battlefield when they claimed that they could do conflict research from the safety of their laboratories. Military and scientific research. Pressure is applied and the mixture goes badly in Act 4 of “Your Results May Vary.”
A preliminary visit. A warning shot at an awkward time. A suggestion that the local population might not as welcoming as they might appear. An angry research director, who had to drag a research team to the battlefield when they claimed that they could do conflict research from the safety of their laboratories. Military and scientific research. Pressure is applied and the mixture goes badly in Act 4 of “Your Results May Vary.”
[24360.A4]
Posting for Act 3
The end of the town. Don’t go down. Don’t ever go down, as the song says, if you don’t go down with me. Preparing to visit the battle. Learning to negotiate a small town only a few miles from the conflict. Two things that are not that different when the town is Kapu Varo. Alec Effson gets a dramatic lesson in Act 3 of “Your Results May Vary.”
Posting for Act 3
The end of the town. Don’t go down. Don’t ever go down, as the song says, if you don’t go down with me. Preparing to visit the battle. Learning to negotiate a small town only a few miles from the conflict. Two things that are not that different when the town is Kapu Varo. Alec Effson gets a dramatic lesson in Act 3 of “Your Results May Vary.”
[24360.A3]
The Dark Angel visits the battlefield.
She carries her paperwork and her description of research to be done.
How close does one ever come to death?
Can we refuse to accept it just the way we refuse a mistaken delivery?
Alec Effson has her own questions. Act 2 of “Your Results May Vary.”
The Dark Angel visits the battlefield.
She carries her paperwork and her description of research to be done.
How close does one ever come to death?
Can we refuse to accept it just the way we refuse a mistaken delivery?
Alec Effson has her own questions. Act 2 of “Your Results May Vary.”
• Zoe Anastassiou – Professor Alec Effson
• Debbon Ayer – Dr. Tamla Portillo
• Ron Bianchi – Major C. O Beason
• Monica Dakin – Seor
• Ana Deloret – Captain Celi Pritel
• Kato Fudauchi – Corporal Anju Juma
• Geoffrey Grier – Major Geo Huber
• Josh LaForce – Major Eaton Willard
• Michelle Thomas-Hanson – Eta Tacqua & the Stage Manager
[24360.A2]
The story begins.
A distance battlefield.
A recent defeat.
And a woman who needs an answer to the question “How close I have been to death?”
The story begins.
A distance battlefield.
A recent defeat.
And a woman who needs an answer to the question “How close I have been to death?”
Cast, in order of appearance:
[24360 A1.0]
[24360.A1]
Professionals need professional help.
Dr. May visits his colleague Dr. X-Tra over his psycholinguistic crisis that is driven by one, very specific word.
Dr. X-Tra, in his turn, has many ways of thinking about this issue.
A third scene from the practice of a San Franciscan Black Psychiatrist.
Warning: This episode contains language that some may find offensive.
Produced by San Francisco Recovery Theatre and HWMS Audio Theatre
Professionals need professional help.
Dr. May visits his colleague Dr. X-Tra over his psycholinguistic crisis that is driven by one, very specific word.
Dr. X-Tra, in his turn, has many ways of thinking about this issue.
A third scene from the practice of a San Franciscan Black Psychiatrist.
Warning: This episode contains language that some may find offensive.
Produced by San Francisco Recovery Theatre and HWMS Audio Theatre
Cast, in order of appearance:
[24215]
For any mental heal professional, one patient follows another.
When the walls are thin enough, (as they often were for Black doctors in the 1960s, one patient can hear the session can hear the prior session.
So now our psych faces a patient who objects to the advice given in the an earlier patient. He has “do no harm,” try to provide a little help to a patient in need, and make sense of his own thoughts at this time.
A second scene from the practice of a San Franciscan Black Psychiatrist.
For any mental heal professional, one patient follows another.
When the walls are thin enough, (as they often were for Black doctors in the 1960s, one patient can hear the session can hear the prior session.
So now our psych faces a patient who objects to the advice given in the an earlier patient. He has “do no harm,” try to provide a little help to a patient in need, and make sense of his own thoughts at this time.
A second scene from the practice of a San Franciscan Black Psychiatrist.
Cast, in order of appearance:
[24210]
San Francisco
Once the Harlem of the West.
Once a city with a vibrant and exciting Black culture.
It then faces the Civil Rights movement.
The Black Power Movement.
And a pair of Black Psychiatrists trying to make sense of of this thing called racism
San Francisco
Once the Harlem of the West.
Once a city with a vibrant and exciting Black culture.
It then faces the Civil Rights movement.
The Black Power Movement.
And a pair of Black Psychiatrists trying to make sense of of this thing called racism
Cast, in order of appearance:
[24205]
Rosy Fingered Dawn stretches her hand across the morning sky.
As least that is what one of Chorus believes.
(He’s kind of that way. The other is not so sure.)
A little snippet of a classic story in a modern setting about a timeless conflict.
“Life is a Dream (or at least a wee nap”)
New full-ength drama from HWMS Audio Theatre.
Rosy Fingered Dawn stretches her hand across the morning sky.
As least that is what one of Chorus believes.
(He’s kind of that way. The other is not so sure.)
A little snippet of a classic story in a modern setting about a timeless conflict.
“Life is a Dream (or at least a wee nap”)
New full-ength drama from HWMS Audio Theatre.
Cast, in order of appearance:
[22675.p2]
What is real?
When we’re awake? Or when we’re asleep.
A Dublin business has spent twenty years carefully crafting her company, her position, her identity.
No one questions her role.
She gets the business. She gets the revenue. She pays the salaries.
She is in control of all, until a memory from the past appears and starts to ask a few questions.
A new approach to a classic story.
What is real?
When we’re awake? Or when we’re asleep.
A Dublin business has spent twenty years carefully crafting her company, her position, her identity.
No one questions her role.
She gets the business. She gets the revenue. She pays the salaries.
She is in control of all, until a memory from the past appears and starts to ask a few questions.
A new approach to a classic story.
Written, produced, directed and scored by David Alan Grier
Additional music material by Alibi Music, Atomic Music, and Five Alarm Music.
Dramaturgy by Steve Harper of Theatre503.
[22675]